Television Soaps: The Cultural Construction of Gender and Representation :: essays research papers

Television Soaps The Cultural Construction of sex activity and RepresentationSoaps but more importantly music videos give the gate be say to interrogate thecultural construction of sex and representations of identity. The videosuggests a set of images to the viewer and unremarkably these are a blurring of sexual urge and identity. melody videos predicate on the representation of femalegender experience. The two inter connect sign systems- access signs anddiscovery signs- will be discussed. Music clips that will be focused on arebloody shames Burning Up, Express Yourself, and Justify My Love. The singer,who has been labelled Our Lady of MTV, has an amazing video appeal due to her tend with gender and identity. No other integrity artist has produced as manymixed images as she has.Television soaps tend not to interrogate the construction of gender and therepresentation of identity. They do not wait to cross any boundaries. Peoplewatch soaps to relax and somehow relate, so if they were to experiment with thetheatre of gender, it may be seen as a threat to viewers. Soapies unremarkably havethe males in typically male dominated occupations such as doctors, car salesmenand chefs. Women in soaps are usually secretaries or housewives. There doesnot look to be any attempt for a switch of roles. Females are feminine, malesmasculine. There has been one exception, which was Kylie Minogues character,Charlene, on Neighbours. She was a mechanic and tomboy. This is one of the few make where a soap has interrogated the cultural construction of gender andrepresentation of identity.A music video is footage that accompanies a song. They can have astoryline related to the song, displays of images or simply focusing on theartist/s performing. Music video is forever crossing the lines of gender andidentity. It is able to do this as it is seen as a form of art, therefore thereis no threat to viewers. It is ironic that Boy George has said that video wasthe defeat thing to happen to music, when he himself looked and acted like hewas crossing the lines of gender and boundaries back in the 1980s. Madonna ismost famous for creating videos with no boundaries for gender or identity. Mostof the time, she deliberately plays with surfaces and masks. Madonna visualstyle engages and hyperbolises the discourse of femininity- she has bleachedhair with dark roots, street smart image yet glamorous. sexual activity play is the mixand match of styles that wager with the signifiers of sexual difference, andMadonna is always doing that. The three music videos of Madonna to be analysedTelevision Soaps The Cultural Construction of Gender and Representation essays research papers Television Soaps The Cultural Construction of Gender and RepresentationSoaps but more importantly music videos can be said to interrogate thecultural construction of gender and representations of identity. The videosuggests a set of images to the viewer and usually these are a blurring ofgen der and identity. Music videos predicate on the representation of femalegender experience. The two interrelated sign systems- access signs anddiscovery signs- will be discussed. Music clips that will be focused on areMadonnas Burning Up, Express Yourself, and Justify My Love. The singer,who has been labelled Our Lady of MTV, has an amazing video appeal due to herplay with gender and identity. No other single artist has produced as manymixed images as she has.Television soaps tend not to interrogate the construction of gender and therepresentation of identity. They do not seem to cross any boundaries. Peoplewatch soaps to relax and somehow relate, so if they were to experiment with thetheatre of gender, it may be seen as a threat to viewers. Soapies usually havethe males in typically male dominated occupations such as doctors, car salesmenand chefs. Women in soaps are usually secretaries or housewives. There doesnot seem to be any attempt for a switch of roles. Females are feminine, malesmasculine. There has been one exception, which was Kylie Minogues character,Charlene, on Neighbours. She was a mechanic and tomboy. This is one of the fewoccasions where a soap has interrogated the cultural construction of gender andrepresentation of identity.A music video is footage that accompanies a song. They can have astoryline related to the song, displays of images or simply focusing on theartist/s performing. Music video is forever crossing the lines of gender andidentity. It is able to do this as it is seen as a form of art, therefore thereis no threat to viewers. It is ironic that Boy George has said that video wasthe worst thing to happen to music, when he himself looked and acted like hewas crossing the lines of gender and boundaries back in the 1980s. Madonna ismost famous for creating videos with no boundaries for gender or identity. Mostof the time, she deliberately plays with surfaces and masks. Madonna visualstyle engages and hyperbolises the discourse of femin inity- she has bleachedhair with dark roots, street smart image yet glamorous. Gender play is the mixand match of styles that flirt with the signifiers of sexual difference, andMadonna is always doing that. The three music videos of Madonna to be analysed