Television Soaps: The Cultural Construction of Gender and Representation :: essays research papers

Television Soaps The heathen Construction of Gender and RepresentationSoaps but more importantly medication pictures can be said to broadcast thecultural construction of grammatical gender and theatricals of identity. The videosuggests a set of images to the viewer and usually these ar a blurring ofgender and identity. Music videos predicate on the representation of femalegender experience. The two interconnected sign systems- access signs anddiscovery signs- will be discussed. Music clips that will be focused on areMadonnas Burning Up, Express Yourself, and Justify My Love. The singer,who has been tagged Our Lady of MTV, has an amazing video appeal due to herplay with gender and identity. No other single workman has produced as manymixed images as she has.Television soaps tend not to interrogate the construction of gender and therepresentation of identity. They do not seem to bumble any boundaries. Peoplewatch soaps to slack off and somehow relate, so if they were to exper iment with thetheatre of gender, it may be seen as a threat to viewers. Soapies usually lay downthe males in typically male dominate occupations such as doctors, car salesmenand chefs. Women in soaps are usually secretaries or housewives. There doesnot seem to be any attempt for a switching of roles. Females are feminine, malesmasculine. There has been one exception, which was Kylie Minogues character,Charlene, on Neighbours. She was a mechanic and tomboy. This is one of the fewoccasions where a soap has interrogated the cultural construction of gender andrepresentation of identity.A music video is footage that accompanies a song. They can have astoryline related to the song, displays of images or simply focusing on theartist/s performing. Music video is forever crossing the lines of gender andidentity. It is able to do this as it is seen as a form of art, therefore thereis no threat to viewers. It is ironic that Boy George has said that video wasthe worst thing to happen to musi c, when he himself looked and acted similar hewas crossing the lines of gender and boundaries substantiate in the 1980s. Madonna ismost famous for creating videos with no boundaries for gender or identity. Mostof the time, she deliberately plays with surfaces and masks. Madonna visualstyle engages and hyperbolises the discourse of femininity- she has bleached blur with dark roots, street smart image yet glamorous. Gender play is the mixand match of styles that flirt with the signifiers of versed difference, andMadonna is always doing that. The three music videos of Madonna to be analysedTelevision Soaps The Cultural Construction of Gender and Representation essays research papers Television Soaps The Cultural Construction of Gender and RepresentationSoaps but more importantly music videos can be said to interrogate thecultural construction of gender and representations of identity. The videosuggests a set of images to the viewer and usually these are a blurring ofgender and i dentity. Music videos predicate on the representation of femalegender experience. The two interrelated sign systems- access signs anddiscovery signs- will be discussed. Music clips that will be focused on areMadonnas Burning Up, Express Yourself, and Justify My Love. The singer,who has been labelled Our Lady of MTV, has an amazing video appeal due to herplay with gender and identity. No other single artist has produced as manymixed images as she has.Television soaps tend not to interrogate the construction of gender and therepresentation of identity. They do not seem to cross any boundaries. Peoplewatch soaps to relax and somehow relate, so if they were to experiment with thetheatre of gender, it may be seen as a threat to viewers. Soapies usually havethe males in typically male dominated occupations such as doctors, car salesmenand chefs. Women in soaps are usually secretaries or housewives. There doesnot seem to be any attempt for a switch of roles. Females are feminine, malesmasc uline. There has been one exception, which was Kylie Minogues character,Charlene, on Neighbours. She was a mechanic and tomboy. This is one of the fewoccasions where a soap has interrogated the cultural construction of gender andrepresentation of identity.A music video is footage that accompanies a song. They can have astoryline related to the song, displays of images or simply focusing on theartist/s performing. Music video is forever crossing the lines of gender andidentity. It is able to do this as it is seen as a form of art, therefore thereis no threat to viewers. It is ironic that Boy George has said that video wasthe worst thing to happen to music, when he himself looked and acted like hewas crossing the lines of gender and boundaries back in the 1980s. Madonna ismost famous for creating videos with no boundaries for gender or identity. Mostof the time, she deliberately plays with surfaces and masks. Madonna visualstyle engages and hyperbolises the discourse of femininity- sh e has bleachedhair with dark roots, street smart image yet glamorous. Gender play is the mixand match of styles that flirt with the signifiers of sexual difference, andMadonna is always doing that. The three music videos of Madonna to be analysed